Katherine HUTCHINGS, Rochester, NY, USA

A New Music for a New Age: The Nova musica of Johannes Ciconia and its Carolingian Sources

15. Juni 2021, 16.00 Uhr, Zoom

https://kug-ac-at.zoom.us/j/98161578336?pwd=VUxjRHREN25kaEEzeG5YV0JNWFNTUT09

Emily Richmond POLLOCK, Cambridge, USA

What Opera Studies Can Learn from Cultural Geography

28. Mai 2021, 15.00 Uhr, Online
https://kug-ac-at.zoom.us/j/97066066216?pwd=RmZiVU80MGlaYmVSWlpydHNMb1N0dz09

Gemeinsame Veranstaltung mit dem Zentrum für Genderforschung

Frankie PERRY, London

Reimaginings of Lieder in the 2010s, from ‘Historically Informed’ Arrangements to Performance Art Installations

2. Dezember 2020, 10.30 Uhr, Online

Martin NEDBAL, Kansas

Dramaturgical and Political Aspects of Fidelio Reception in Nineteenth-Century Leipzig und Prague

9. März 2020, 18.00 Uhr, Palais Meran, Zi. 24

Andreas DORSCHEL

"Wie von tausend Nervgeweben." Das Klavier in Schuberts Liedtexten

20. Jänner 2020, 16.15 Uhr, Palais Meran, Zi. 24

Katherine HAMBRIDGE, Durham

Cross-dressing the German Voice, c. 1800

4. Dezember 2019, 14.00 Uhr, Palais Meran, Zi. 24

Natasha LOGES, London

Jigsaw Pieces of Lego Bricks? Performing Multi-Movement Works in the Nineteenth Century

27. November 2019, 19.15 Uhr, Palais Meran, Zi. 24

Danielle SOFER, Dublin

Spectres of Sex: Tracing the Tools and Techniques of Contemporary Music Analysis

26. November 2019, 10.00 Uhr, Palais Meran, Zi. 24

David HELBICH, Brüssel

(aus sich) Rausgehen - soziale Choreographien und Intro-aktivität

26. April 2019